A print from the Botanical Study of Fruits and Nuts by Duhamel du Monceau, early 19th century (Nouvelle Edition Langlois, 1807–35).

In “Low Relief,” Lehr captures the city’s skin, revealing how human interaction transforms surfaces and facades through a subjective lens. Lehr’s approach combines world photography with makeshift studio shots using natural light and found materials. Every subject is presented in a 1:1 scale, maintaining striking realism while underlining the distinction between photo and reality. These works are a testament to the interplay of tangible and ethereal, preserving the gestures of urban life.

Dimensions: 23.3 x 1.7 x 30.7

Original vintage New Yorker magazine cover dated January 2, 1971 featuring a New Years theme. Based on an illustration by Arthur Getz (1913-1996).

This is an authentic New Yorker magazine cover – not a reproduction. It is in excellent condition with no imperfections. Cover is carefully packaged in an archival plastic sleeve with backing board, and shipped in a cardboard flat mailer with cardboard insert. Includes a certificate with additional information and a brief history of New Yorker covers.

Looking for a specific New Yorker cover? Send us a message and we will be happy to search our extensive collection of authentic New Yorker covers from the 1930s through the 2000s for you.

Multiple print purchases are combined into a single shipment. We will refund the excess shipping charge paid.

1952 Pont Neuf (New Bridge) Paris Photo
1952 book illustration ready for framing.

1952 Staircase at Night Paris Photo
1952 book illustration ready for framing.

Alexandre Noll Untitled 1960’s Signed and Numbered Woodblock Print on Paper Edition 2 of 100

Alexandre Noll (French, 1890-1970).
Abstract woodcut print with black ink on paper.
Signed and numbered.
Abstract, Art Brut movement.

Overall measures 15 1/2″ wide and 19 1/2″ tall.
Print measures 11 1/2″ wide and 15 1/2″ tall.

A very nice vintage print of an open mouth pelican. Signed and dated. Framed in a contemporary frame

Italian Florentine giltwood frame containing landscape scene. Measures 5.5” w x 1” d x 8” h.

“The Immaculate Conception”
by Salvador Dali
Also Known As “Tarot Nine of Swords”

Original Limited Edition Cooperative Lithograph of original painting on Arches paper by Modern Master Salvador Dali

This piece can be found in “The Official Catalog of The Graphic Works of Salvador Dali” by Albert Field, on page 185 image 79-12, and in the “Annual Print Price Guide To The Graphic Works of Salvador Dali” by Bruce Hochman 2016 edition, page 155.

Lithograph has the Blind Stamp DALART N.V / Copyright 1979
Hand Signed by the Artist
Image Size: 23″ x 16″
Framed Size: 38″ x 28″
Edition Number: 24/250
Beautiful museum mounted, matted and custom framed
Condition: has a minor small handling mark ( see photo)
Certificate of Authenticity and appraisal is included

Salvador Dali

1904-1989, Spain.

Dali attended the Academy of Fine Arts in Madrid.He devoured philosophical works and Freud, and he discovered Cubism, Futurism and Metaphysical Arts in magazines.He had one-man shows in Barcelona in 1925 and in Madrid in 1926.He harmonized the example of Gris, de Chirico and Carra with the refined methods of the Old Masters.Sometime during 1928 Dali made a brief excursion to Paris, where he met Picasso.Andre Breton, Surrealism’s central figure, appointed him an official Surrealist.Within a short time Dali was to become the movement’s most spectacular exponent.In his art he has succeeded in achieving the synthesis of what Andre Breton called a retrograde craft with the most extreme inventions of modern culture.His graphic oeuvre comprises etchings and lithographs, which have evolved parallel to his paintings.

Dali illustrated Dante’s Divine Comedy with 101 wood engravings.The poem recounts the tale of the poet’s journey through Hell and Purgatory guided by Virgil.After repenting his faults, he is joined by Beatrice for the final leg of the journey through Paradise to receive a glimpse of God.Dali often equated Gala, his wife and inspiration, with Dante’s Beatrice.Like Dali, Dante’s symbolism is complex but highly rational.Both men had a keen knowledge of scientific studies in geology, optics and mathematics.Dali’s Divine Comedy will go down in the history of art as a work of the artist’s prime years, the early 1950’s.